Print: “A Season with the Titans” by Paul Gero

Permalink 4 Comments

Photo of A Season With the Titans Book

Paul Gero is one of my oldest friends in photography, and I don’t think I’ve ever met anyone who loves photography more than Paul. Photography is in his blood and has been since the early, early days when he had giant glasses and a mullet. We met at the Arizona Republic in 1993 during the summer I attained my first internship.(Turned out to be my only internship.) I had no real idea what I was doing. Paul was a staffer in Arizona, and before his stop in Phoenix he had “done time” at both the Chicago paper(Tribune) as well as a long stint in Washington covering politics and The Hill. Eventually he would go on to shoot for Time, Newsweek, Sports Illustrated, etc.

I learned a lot from him, eventually renting a room at his house where in 1995 or 1996 we made our first “books.” Nobody works harder than Paul and he is also one of the best color and post production people I know. I featured him in another post you can find here. “A Season with the Titans” is old school reportage. Long-form. Reminiscent of a time when people spent more than two days working a story before beginning the volcanic-like marketing barrage often seen with today’s industry. Where this REALLY stands out, to me, is the film. It FEELS like something shot by a still photographer or journalist.

As you will hear in this interview, Paul spent the past year following a high school football team with the goal of creating a book and short film. Well, he did. Not only did he get access, which in my opinion is incredible in itself, but he also stayed the course to complete his book and film. I’ll include the notes that he sent in regard to the sales idea behind the book as well as the technical aspects of how he accomplished this particular mission. This was not Paul’s first book rodeo. In fact his “Kids of Orange County” books have raised over $60,000 for Children’s Hospital of Orange County. Paul is also a Sony “Artisan of Imagery” photographer. Have a look and a listen.

I sold the project in 4 ways:

Collector’s Edition — Signed Hard Cover, DVD slideshow, fine art watercolor print (8 x 10) custom book box

Hard Cover Edition — Hard cover only

Soft Cover Edition — soft cover only

DVD — the movie A Season with the Titans that is on vimeo is sold in a custom case with a custom printed DVD

All the stills in the book and on the movie were made with Sony mirrorless cameras — Sony A7 and Sony a6000. Almost all with available light. The lenses were 24-70 f4 FE Zeiss, 35 f2.8 FE Zeiss, 55 f1.8 FE Zeiss, 10-18 f4 G OSS E, 70-200 f4G OSS FE….most of the video was made with the Sony a6000 and shot at 60P knowing that I would be able to slow down the footage by 50% in post production. The still images were made primarily with the a6000 with 70-200 f4G for the action and often 6400 ISO or higher and the sidelines camera was primarily the Sony A7 with the 35 2.8, 55 1.8 or 24-70 generally. This was a project that I have wanted to do since 1990 with the publication of the book “Friday Night Lights” and I wanted to be able to shoot the Sonys to create a 1) coffee table fine art book of the season and 2 ) a video that I would be proud to see broadcast. It was a blast!

A Season With The Titans Final Edit for DVD from Paul Gero on Vimeo.

Comments 4

  1. Paul has been a friend since High School. His dedication, his ability, and his vision have become one of my favorites to witness ANYWHERE I see his name. I am proud to call him friend. I have never seen a photograph he took that was not exceptional. Perfection is not the goal, inspiration of a memory, be it of a moment, or a time in our lives is what photography does. Very few do it better.
    This project is special for The Titans. A season full of memories, now forever able to be retrieved in a moment. 10 or 20 years from now, theses images will bring the season to life for each individual on the team, their fans, family, and the legacy that is the Titan team.

    1. Post


      He’s pretty solid for a midwesterner. I’ve only known him since 1993, so I’m holding out my official opinion for at least another decade. You make a good point about the kids who may or may not have thought about what this will mean in twenty or thirty years. History. That’s what photojournalists do. Record it.

    1. Post

Leave a comment